Abstract
One of the most tendentious and enduring questions of Swift scholarship concerns his faith. What did Swift believe? Was his career in the Church primarily a means of political and social advancement? Did Swift subscribe to a coherent theology, or were his beliefs simply expedient? How did the turbulent streams of eighteenth-century Anglican and Protestant theologies influence Swift's satiric vision? In the light of recent work on his tenure in the Church of Ireland, this volume presents a timely critical appraisal of Swift's role as a priest vis-a-vis his identity as one of the Enlightenment's premier satirists. The essays in this volume cover four broad categories.
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