Abstract

The story of Susanna and the Elders, found in the apocryphal thirteenth chapter of Daniel, part of the Greek version of the Book of Daniel, is richly suggestive of its likely appeal to poets and artists. It is set during the Babylonian Captivity and recounts events concerning the Jewish community within Babylon. Susanna is the beautiful and chaste wife of a wealthy man, Joachim, whose home serves as a seat of justice for his fellow Jews. While bathing in their garden, Susanna is spied upon and accosted by two judges of Israel who frequent her husband's house. They invite her to satisfy both of them or suffer the penalty for a charge of adultery, which they will bring against her. She refuses, saying that she would rather fall into their hands than sin in the sight of God. She is tried unveiled before the people. Led off to execution, Susanna calls out to God, who stirs up the spirit of the young Daniel. Daniel's skill in separating the elders before asking for details of their evidence against Susanna reveals their perjury, and they are put to death by the crowd. The tale is certainly courtroom drama, but it is also a narrative of transgressions — of female chastity and modesty, of the household and property, of justice itself.

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