Abstract
The first part of this research note was concerned with the methodological problems of surveying a theatre audience. This second, and final part, presents the findings of the survey. It is an interesting point that all writers on the theatre agree that a minor revolution has taken place in the British theatre since 'Waiting for Godot' was produced in 1955,1 and yet virtually nothing is known about the people who go to the theatre. Various attempts have been made to attract more working class people to the theatre, yet there have been no published studies of theatre audiences. The Arts Council has recently greatly increased its grants to repertory theatres, yet no one has suggested consumer studies of these institutions.
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