Abstract

Several Germanic varieties possess a phonological contrast usually referred to as “tonal accent.” They demonstrate phonological contrasts between words that are otherwise identical in their segmental make-up and the location of stress, as in (Urban East) Norwegian bønder ‘farmers’ and bønner ‘beans’, both segmentally [ˈbønːər]. Usually, the contrast is treated as implemented by pitch trajectories; hence, the name 'tonal accent.' Within Germanic, tonal accent contrasts are found in three (historically, perhaps four) areas. First, they occur in most varieties of Norwegian and Swedish, as well as in some Danish dialects; in addition, most varieties of Danish show a peculiar type of accentual distinction based on laryngealization, traditionally known as stød. Second, they are found in a set of West Germanic dialects along the middle Rhine and the Moselle, the so-called Franconian tonal area. Third, they are reported from many varieties of Low German, specifically North Low Saxon. Finally, they may have been present historically in Frisian. Three aspects of Germanic tonal accent systems are of particular interest to linguistic theory. In terms of synchronic analysis, accents have been considered as sui generis objects, as fundamentally tonal phenomena, and as artifacts of contrasts in metrical (foot) structure and its mapping to intonation. Diachronically, Germanic accents are a poor fit to the cross-linguistic typology of tonogenesis: their development is intimately tied to processes manipulating metrical structures, such as vowel lengthening, syllable deletion and insertion, and clash resolution. Finally, they offer some enlightening case studies with respect to the role of language contact in the development of prosodic systems.

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