Abstract

Appropriately, Lea Vergine’s paean to Land art was published in an architectural magazine in 1972, the era of the megastructure, making explicit the possible beneficial influence that this new artform might have for architectural and urban design. She is interested in the ecological aspects of Land art as it relates to natural structures and systems, and in addition to a survey of work of the leading American practitioners, Vergine introduces parallel initiatives in Europe.

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