Abstract

Sultana’s Dream, written by Begum Rokeya Sakhawat Hossain in 1905, is a utopian novella that challenges established gender norms in a manner that effectively undermines the process of conventional gender stereotyping. Hossain’s narrative unfolds in Ladyland, a society where women assume responsibility for various aspects of life, while men are confined to purdah, secluded quarters designated for their isolation. The story, despite its brevity, explores the re-establishment of a matriarchal government, the peaceful stabilization of society, the widespread use of technology without male involvement, the celebration of intellect over physical strength, and the subversion of traditional gender roles. Although the story occasionally favours women over men, its purpose, as is proper to the function of utopianism, is to inspire readers by demonstrating the possibility of a better future. This article, therefore, aims to explore the role of religion as an apparatus of the inherent Indian culture in oppressing and isolating women, with reference to Hossain’s seminal work, Sultana’s Dream.

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