Abstract
Sufism has been subjected to reformist ideas, whether by the colonial Orientalists or the post-colonial Islamic Republic of Pakistan. This research investigates the process of colonial and post-colonial reformism through the hagiographical transmutation of a malāmatī Qādirī Sufi, Shāh Ḥusayn. It observes that the idea of colonial reformism cannot be thoroughly applied in this case—the post-colonial Pakistani state rigorously implemented its reformist policies and transmuted the saint’s image, while Western academia depicts him as queer. Therefore, the paper argues that Sufis have been used as sacred props by colonial and post-colonial reformists and scholars, resulting in multiple and contradictory Shāh Ḥusayns.
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