Abstract
This paper investigates a vision of the underground environment associated with an aesthetic discipline. Its fundamental notion is sublimity, which was a phenomenon that involved a number of artworks engaged with changing the perception of the underground experience. This paper seeks to clarify how the idea of the living environment underground has changed by examining the works of writers, painters, and architects who have drawn inspiration from the concept of imaginary underworlds. Through a case study of the Chichu Art Museum, a representative underground space in terms of a sustainable relationship between architectural spaces and nature that could be experienced as sublime, this paper considers how to integrate visitors to distribute their awareness of artists’ work. It also stimulates visitors’ perceptions of a more sustainable future through sublime experiences, offering a way to understand underground integration with artworks. Therefore, this paper contributes to the knowledge of the relationship between architecture and artwork by increasing the aesthetic value of the underground space and considering how art intervenes in architecture to create a sustainable didactic.
Highlights
By solving the problem of aesthetic interpretation recently raised in response to the concept of the sublime in the underground space [3], this study considers the possibility of urban application and tries to locate the aesthetic horizon of the future underground space through the sublime as an aesthetic concept of a new era
This study investigates how the underground spaces are integrated with the artworks, which have altered the visual and sensory experiences
Reliancepeople, on technology could provide a sense of protection, sometimes even more beneficial and efficient than that ofhave a negative effect on social relations and interactions between people, which can fered by technology
Summary
Publisher’s Note: MDPI stays neutral with regard to jurisdictional claims in published maps and institutional affiliations. In this way, this study investigates how the underground spaces are integrated with the artworks, which have altered the visual and sensory experiences. From the perspective of these analyses, this paper addresses how the vision of the underground could be transformed by the integration of the artworks to create a sustainable environment in the future
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