Abstract
The article discusses the method of dinnsheanchas and its stylization, which is characteristic of modern Irish dramaturgy, by means of which the playwright transforms objects of artistic space and endows characters with mental images. The embodiment of dinnsheanchas in the play “The Mai” is analyzed, and its role in uncovering the mythological potential in the works of Marina Carr is assessed.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Paper Title
Journal
Date
More From: Bulletin of Udmurt University. Series History and Philology
Paper Title
Journal
Date
