Abstract
Mainstream news broadcasting pursues an authentication project, to bolster its claims to serious, weighty and factual news reporting. News review contributes to this project when it seeks to humanize front-stage news personnel. It moves away from the traditional, institutionalized concern with `authenticity-from-above' and works to generate `authenticity-from-below'. As an extreme instance of resistance to the `from-above' formulation, this article considers data from a televised UK weekday morning show, The Big Breakfast, and specifically its `review of the papers' slot. The show's orientation is iconoclastic, from the establishment perspective on news, partly by its high degree of reflexivity about the television medium. Its main presenter, Johnny Vaughan, extrapolates from newsprint sources well beyond the conventional bounds of the review genre. He delivers a thoroughly performed, burlesque response to more and less trivial aspects of the day's print news. His stylized vocal and visual representations of figures in the news achieve a populist moral consensus, as a key process in constructing a `from-below' authenticity. Even in this thoroughly tabloidized and comic performance, the show retains a clear critical dimension, strikingly at odds with authorized modes of news and news review.
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