Abstract
The article considers the actual problem of determining the creative method of V. Nabokov in the aspect of artistic principles of modernism and postmodernism. Using the method of historical and discursive analysis, the features of the metanovel as the main genre of the writer's prose are characterized. It is shown that the narcissism of Nabokov's texts appears in the individual rhetoric of the writer, refuting the stereotypes of artistic perception formed in the classical tradition, signaling the aesthetic superiority of the writer. Stylistic codes forming a narcissistic novel are revealed: mythologism, deconstruction, double coding, intertextuality. The ways of their realization in the novels are described: individualization of linguistic techniques, metaphorization, allegorism, rhizomacy of structure of the text, play on cultural codes. It is established that as a means of author's self-expression, the language of Nabokov's works has value in itself, the writer develops his own way of aesthetic attitude to the word. It is concluded, that the identified stylistic codes determine Nabokov's works as belonging to both modernism and postmodernism. These codes form a metatext, or supertext, a special type of non-classical prose, in which the language becomes a specific coding formation, allowing the author to present aesthetic and intellectual information, thus starting creative relations with the reader.
Highlights
The article considers the actual problem of determining the creative method of V. Nabokov in the aspect
It is shown that the narcissism of Nabokov's texts appears in the individual rhetoric
refuting the stereotypes of artistic perception formed in the classical tradition
Summary
The article considers the actual problem of determining the creative method of V. Что выявленные стилистические коды определяют принадлежность творчества Набокова как к модернизму, так и к постмодернизму, формируют особый тип неклассической П. Историко-дискурсивный анализ произведений Набокова способствует как выявлению индивидуальных особенностей художественного языка писателя, так и рассмотрению его произведений в контексте неклассического искусства – не только модернизма, но и постмодернизма.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
More From: Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.