Abstract
The article demonstrates that modern button accordion culture is an important part of the cultural paradigm of society, spiritual self-development and self-expression of peoples and nationalities. The ontological status of bayan and accordion performance is highlighted in the context of various styles, determined by the specifics of national cultural landscapes and historical realities.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.