Abstract

Many studies in the literature have presented multiple remote sensing techniques for defect inspection of paintings. At present, however, papers on defect inspection and restoration of oriental architectural arts—such as door god paintings—are still rare. If an aged and damaged door god painting needs a restoration, then following the style and treatment skill of the original artist as much as possible is important for the restoration. Unfortunately, it is usually difficult to access the original artists for some of the aged door god paintings. This paper considers the texture features of auspicious patterns of armors on warrior door gods as useful information to recognize styles of door god paintings by unknown artists. First, a two-level two-dimensional discrete wavelet transform coupled with co-occurrence matrix calculation was adopted to analyze the texture features, based on the descriptors of angular second moment (ASM), entropy (ENT), contrast (CON), homogeneity (HOM), dissimilarity (DIS), correlation (COR), and cluster tendency (CLU), in the four orientations of 0° (horizontal), 45° (vertical), and 90° and 135° (double diagonal). Second, a two-tailed t-test based on the analyzed texture features was introduced into the hypothesis testing for demonstrating the master and apprentice relationships between the surveyed artists, and for recognizing the door god painting styles of unknown artists as well. The experimental results show that the proposed method effectively describes the texture features of the auspicious patterns of the surveyed door god paintings, and is able to determine the useful co-occurrence features for recognizing unknown artists’ painting styles.

Highlights

  • Door god paintings are frequently seen on the gates of traditional residences or temples, and belong to one kind of Chinese architectural artworks

  • This paper demonstrates whether any two surveyed artists have a master and apprentice relationship by applying hypothesis testing to the extracted co-occurrence features of the auspicious patterns of their door god paintings

  • 52 temples in Taiwan were visited to acquire 453 images for the auspicious patterns—including fish scales, lock chain, turtle back, and “回”—on the armor of door god warriors created by the surveyed artists

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Summary

Introduction

Door god paintings are frequently seen on the gates of traditional residences or temples, and belong to one kind of Chinese architectural artworks (see Figure 1 [1]). Because of Chinese people’s worship of animism in ancient times, some of the door god characters are imaginary. Shen Tu (Chinese transliteration: 神荼) and Yu Lei (Chinese transliteration: 鬱壘) are the earliest warrior door gods and prevailed in the Han Dynasty [3]. In addition to Shen Tu and Yu Lei, Chin Shu Pao (Chinese transliteration: 秦叔寶) and Yu Chih Kung (Chinese transliteration: 尉遲恭) are frequently seen warrior door gods in the temples of Taiwan. Several auspicious patterns—such as lock chain, turtle back, fish scales, flowers, clouds, and the Chinese characters of “回” and “卍” (see Figure 2)—have been adopted to decorate warriors’ armor. For each of the above auspicious patterns, the displayed texture features

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