Abstract

The portrait bust of a Roman matron in the J. Paul Getty Museum (79.AA.118) belongs to a type of sculptural portraiture whose features are distinguished from those of the leading imperial women of Rome. Dating to the first half of the second century CE, this group of portraits of Roman matrons, mostly unidentified women of the middle-lower social ranks, displays striking depictions of mature faces and elaborate hairstyles. Close study of the coiffures suggests ways in which the women differentiated themselves from their peers while demonstrating that they belonged to the social group of urban, affluent, and well-appointed matrons. Their portraits neither copied nor entirely disregarded the styling of imperial or elite women; rather, they suggest a process of exchange in which motifs were selected, sampled, and altered through scale, arrangement, or the evocation of more precious adornment.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.