Abstract

The article looks into the notions of film stunt and stunt technical skills as the most expressive and memorable means of an audiovisual production. On the whole, the stunt as a concept has undergone a considerable evolution adjusting itself to the screen narrative and forming its inventory of stunt performance. The term served as the basis for the emergence of the so called stunt cinema which gained popularity and consumer demand. In modern film industry, stunt films are considered highly profitable.

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