Abstract
New York City, 1884: 14 contestants set out to walk round and round a track for six days in the “go-as-you-please” race, taking as little rest as possible. What does this durational act tell us about a type of performance just beginning to be named in New York slang as a “stunt”? Anticipating early-20th-century dance marathons and later durational performance art, the race enacted and troubled circulation, revealing fault lines of valorization: between work and leisure, work and life, and sporting and theatrical performance.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
