Abstract

Studies of the impact of the media on people have not produced stable results, because they operate with an unrealistic view of audience members as an inert mass of passive “recipients” of what is aimed at them. Observation of television viewers in France, and the examples of amateur photography and pornography, show the importance of a more realistic view, taking account of the active participation of people in the creation of communication works and the worlds of arts that are not conventionally studied.

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