Studying the Lied:

Abstract

Research Article| August 01 2014 Studying the Lied:Hermeneutic Traditions and the Challenge of Performance Jennifer Ronyak, Jennifer Ronyak Convenor Jennifer Ronyak is Assistant Professor of Musicology at the University of Texas at Arlington. Her work on the German lied has been published in 19th-Century Music and the Jahrbuch Musik und Gender. She is currently completing a monograph on the problem of intimate expression in relationship to salon and concert performances of lieder at the start of the nineteenth century. Search for other works by this author on: This Site PubMed Google Scholar Benjamin Binder, Benjamin Binder Benjamin Binder is Assistant Professor of Music at Duquesne University. His research interests range widely within German Romanticism and Lied studies. Essays on Schubert, Schumann, and Wagner have appeared in Current Musicology, Nineteenth-Century Music Review, and the volume Rethinking Schubert (forthcoming from Oxford University Press). He is also a collaborative pianist who serves as director of the Song Scholarship and Performance Program at the Vancouver International Song Institute. Search for other works by this author on: This Site PubMed Google Scholar Laura Tunbridge, Laura Tunbridge Laura Tunbridge is Senior Lecturer in Music at the University of Manchester. Recent publications include “Frieda Hempel in the Historical Imagination,” this Journal 66 (2013); and “Singing Translations: The Politics of Listening between the Wars,” Representations 123 (2013). She is completing a book on classical vocal recitals in New York and London during the interwar period. Search for other works by this author on: This Site PubMed Google Scholar Wayne Heisler, Jr., Wayne Heisler, Jr. Wayne Heisler Jr. is Associate Professor of Historical and Cultural Studies in Music at The College of New Jersey. His publications include The Ballet Collaborations of Richard Strauss (University of Rochester Press, 2009) and “Antony Tudor's Dark Elegies and the Affirmation of Mahler's Body, 1937–1947” (Dance Chronicle 36, no. 2 [2013]). Forthcoming are an essay on choreographies of Strauss's Vier letzte Lieder as “total art” and a guest-edited issue of Opera Quarterly focusing on Strauss. Search for other works by this author on: This Site PubMed Google Scholar Kira Thurman, Kira Thurman Kira Thurman is Assistant Professor of Modern Central European History at the University of Akron in Ohio. Her research investigates the history of black musicians in Germany and Austria. Her article, “Black Venus, White Bayreuth: Race, Sexuality, and the De-Politicization of Wagner in Postwar West Germany” won the German Studies Association's prize for Best Essay in German Studies by a Graduate Student in 2011 and appeared in German Studies Review in 2012. Search for other works by this author on: This Site PubMed Google Scholar Jonathan Dunsby Jonathan Dunsby Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. His many publications include Performing Music: Shared Concerns (Oxford University Press, 1995), Making Words Sing: Nineteenth- and Twentieth-Century Song (Cambridge University Press, 2004), “La vocalité de Debussy: Une vision herméneutique du ‘Tombeau des Naïades’” in the multiauthored Regards sur Debussy (Fayard, 2013), and “Reflections on Music Theory Pedagogy: Virtual and Archeological Known Unknowns” (Journal of Music Theory Pedagogy, 2010). Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (2014) 67 (2): 543–582. https://doi.org/10.1525/jams.2014.67.2.543 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Jennifer Ronyak, Benjamin Binder, Laura Tunbridge, Wayne Heisler, Kira Thurman, Jonathan Dunsby; Studying the Lied:Hermeneutic Traditions and the Challenge of Performance. Journal of the American Musicological Society 1 August 2014; 67 (2): 543–582. doi: https://doi.org/10.1525/jams.2014.67.2.543 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the American Musicological Society Search © 2014 by the American Musicological Society. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions website, www.ucpressjournals.com/reprintInfo.asp.2014 You do not currently have access to this content.