Abstract

In terms of Chinese music, where most music genres rely on "oral and heart to heart instruction", inheritance is a major focus of Chinese traditional music research. For the inheritance of dynamic research, it must be a combination of the ontology research of static research and the inheritor research of relative dynamic and static research. Based on the three-level research of American anthropologist Merriam, this paper has an insight into the inheritance of Chinese traditional music from "belief text music", from people to text, from outside to inside, and also understands and digests the interdependence between inheritance and construction of "simultaneous existence, one and two sides, binary opposition, one ebb and flow".

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call