Study on the development of Chinese oil painting color language under the fusion of Chinese and Western painting

Abstract

Color is not only the linguistic element of human perception of the world, but also the starting point of artistic perception and artistic analysis. As an important part of art language, it together with modeling language constitutes the indispensable core language of visual art, which not only affects the artistic expression of the whole creation, but also affects the artist's spiritual world. Due to the development of different cultural systems in China and the West, there are also some differences in color language systems, mainly in its own color language characteristics and usage. Since the 20th century, the color language in Chinese painting has shown the tendency to learn from Western art, which has also led to the fusion of color concepts of Chinese and Western painting to some extent. In this process, whether Western painters or Chinese painters, the attention and research on the color system of Western oil painting occupy the main part of painting theory. However, despite many achievements, Chinese painters' study of the localization of oil painting color is still difficult to carry out. Therefore, the development of Chinese oil painting color language needs to be re-examined and positioned.