Abstract
Furniture in the halls of Tibetan Buddhist temples is an important part and the product of materialization of Tibetan Buddhist culture in Northwest Sichuan. The decorative pattern of the furniture in the halls is the essence of Buddhist culture in Northwest Sichuan, which has unique regional and national characteristics. By excavating the contemporary value and significance of decorative patterns of furniture in the halls of Tibetan Buddhist temples, we can study the influence of the religious culture on the decorative patterns of furniture, and further explore the culture.
Highlights
Northwest Sichuan is located in the southeastern margin of the Qinghai-Tibet Plateau and part of the Hengduan Mountains, with an elevation of 4000 to 4500 meters
The decorative pattern of the furniture in the halls is the essence of Buddhist culture in Northwest Sichuan, which has unique regional and national characteristics
By excavating the contemporary value and significance of decorative patterns of furniture in the halls of Tibetan Buddhist temples, we can study the influence of the religious culture on the decorative patterns of furniture, and further explore the culture
Summary
The decorative subjects of furniture in the halls of Tibetan Buddhist temples are very rich and varied. It can be divided into religion-related symbols and characters. Abstract category has Swastika, cloud pattern and so on Each of these symbols contains profound religious culture. The subject of furniture in the halls of the Tibetan Buddhist Temples is the characters of religious stories. Its types have been very diverse [2]
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