Study of Wes Anderson’s Film Tragedy from the Perspective of Tragic Aesthetics

Abstract

The research object of this paper is Wes Anderson, an American independent director and author-director. Wes Anderson and his films are unique, Because his films have not only won numerous artistic awards, but also have considerable commercial value. The purpose of this article is Analyze the underlying content of the movie. This article takes the film narrative, theme and visual impression as the starting point, and analyzes the director's films, and then summarizes how Wes Anderson's films operate from the perspective of tragic aesthetics. This article uses case analysis and interdisciplinary research methods to study Wes Anderson's movies and the philosophies they contain, try to sort out the tragic aesthetic characteristics shared in his films. The paper finally summarizes the characteristics of Wes Anderson's film aesthetics and the theoretical sources of film philosophy. Wes Anderson carefully designed every detail of the film to make the audience clearly feel a sense of alienation, but also to immerse the audience into them. Wes Anderson calls his movies "very personal" because he integrates his unique insights into the philosophy of life into his works and deconstructs life from a unique perspective, allowing the audience to experience a unique style of film.