Studies in the Performance of Late Mediaeval Music

Abstract

1. Fifteenth-century northern book painting and the a cappella question: an essay in iconographic method James W. McKinnon 2. The visualisation of music through pictorial imagery and notation in late mediaeval France Tilman Seebass 3. The trecento harp Howard Mayer Brown 4. The 'reconstruction' of instrumental music: the interpretation of the earliest practical sources Wulf Arlt 5. Mimesis and woodwind articulation in the fourteenth century Margaret Paine Hasselman and David McGown 6. Specific information on the ensembles for composed polyphony, 1400-1474 David Fallows 7. The performing ensemble for English church polyphony, c. 1320-c. 1390 Roger Bowers 8. Some evidence for French influence in northern Italy, c. 1400 Anne Hallmark 9. Parts with words and without words: the evidence for multiple texts in fifteenth-century Masses Alejandro Enrique Planchart 10. Fourteenth-century music with texts revealing performance practice Ursula Gunther.