Abstract
The arrival of thousands of international students from Asia and the Pacific after the Second World War has reshaped the social and political texture of Australian life by helping undermine long-held suspicions of inferiority, racial pollution and political disruption. This article examines the transnational experience of sponsored and private overseas scholars in relation to the growing body of transnational theory and suggests why scholarly discourse and Australian museums have largely omitted non-permanent migrants, such as student sojourners. It also suggests how museums might avoid the pitfalls of the multicultural or pluralist imperatives that guide migrant heritage collection and exhibition practices.
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