Abstract
The Holy Qur’an is the Book of God Almighty، and He described it، Glory be to Him, with several descriptions, and He told about it that it is a book that needs contemplation that leads you to the goal of the intended verses, and you think about the verses، rather the wall، to come up with a conception of it. The event, rather, depicts it from its different angles, and that is the camera in the Holy Qur’an, as it paints for us a vivid scene that pulsates with life in which all the meanings of life are dialogues and embodiment of what is not in a body, a chemical substance or a physical space. The place is separate from the time, but the study of the scene is fragmented, with a metaphor here or a metaphor there, this kills the scene and takes it out of its beauty. For this reason, the choice was made to study the scene in the Holy Qur’an، in order to clarify the beauty of the Holy Qur’an that is not limited to the verbal only, but comes out in the word to what is embodied، reasonable and metaphysical. This research is based on an introduction in which I talked about the scene in language and terminology, then she added to talk about the role of some linguists in approximating the term scene. As for the requirements of the research, the first of them is devoted to the study of material examples, as the importance of the material aspect in nature in general is mentioned in it, and this is supported by texts from the Noble Qur’an. As for the second، it was to study the moral examples، so I talked about the abstract morals, which are the perceptions of the mind, which do not possess tangible or tangible entities, and I included them with some examples of what was mentioned in the Holy Qur’an as well. As for the third, it was to study the unseen examples, in which I dealt with talking about the unseen، which is everything that is absent from man, corroborating that with what was mentioned in the Holy Qur’an. Finally, I say: This is a humble work in its chapter whose goal is to serve the word of God Almighty.
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More From: RIMAK International Journal of Humanities and Social Sciences
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