Abstract
This paper describes a collection of data-driven aesthetic explorations that investigate the concept of 'cycling as art practice' through the lens of 'quantified self' data-visualization. The explorations draw upon the philosophy of the 'Walking artists' and the concept of 'Deep mapping' and the focus of the work is on trying to visualize the experience of cycling. In doing so it draws attention to what aspects of experience can and cannot be quantified through the kinds of data we capture about ourselves.
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