Abstract
Abstract This paper probes into the issue of censorship in Egyptian cinema compared to Hollywood during the second half of the twentieth century. It discusses Egyptian censorship regulations and governmental interference in the film industry and their impact on film reception. Conducted over six months, this research specifically investigates three Egyptian film adaptations of Tennessee Williams’s A Streetcar Named Desire (1951), which are Inhiraf (Aberration) (1985), Alfarisa (Prey) (1986) and Al-Raghba (Desire) (2002). These adaptations are scrutinized through the lens of the Egyptian censorship code and the way these film adaptations may have promoted an Americanization of Arab culture is examined.
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