Street photography and the flâneur: reflections on Australian city narratives

Abstract

This original photographic work investigates the intersection of street photography and the concept of the flâneur within an Australian urban context. By transforming cityscapes into visual texts, the study captures urban narratives through the absence and reflection of inhabitants, rather than their direct representation. The photographic work employs window reflections as a key technique, introducing multiple visual dimensions to enrich street scenes and overall narratives. Drawing on Baudelaire's notion of the flâneur and Tomanić-Trivundža's three-stage journey of the flâneur (perambulating observation, critical reflection, and production of communicable texts), this work synthesises street photography with flâneur-like observation. It employs a multi-layered visual approach to city streets, representing a less-explored facet of lens-based practice in Australia. While the use of window reflections and the flâneur in street photography are well-established in European and North American contexts, their application in Australian settings remains less explored. This work aims to contribute to the street photography canon by translating these established techniques to Australian cities, offering insights into unique local urban characteristics. By exploring the interplay between global photographic traditions and local realities, this work seeks to provide a fresh perspective on Australian city life through the flâneur lens and reflective urban surfaces, thus expanding the geographical and cultural scope of this photographic tradition.