"Strange Love": Searching for Sexual Subjectivities in Black Print Popular Culture during the 1950s

Abstract

"StrangeLove": Searchingfor Sexual Subjectivities in Black PrintPopular Cultureduringthe 1950s Leisa D. Meyer Myrtle Hartgrove, Atlanta, GA—Dear Editor: I just finished glanc ing through your first issue of Tan Confessions, and frankly I feel that you've gone to a lot of trouble to waste a lot of valuable paper. What is the point behind the whole thing? Those stories that you call "true to life," are simply impossible. No self-respecting woman with an ounce of decency would allow any of those things to happen to her that you have published as "the truth." You should be ashamed to advertise such trash on the same page with such honorable publi cations as Ebony and Negro Digest. Jane White, Los Angeles, CA—Dear Editor: Thanks a lot for coming out with your new magazine, Tan Confessions. I am a long time buyer of romantic magazines and while I know that they are trash I would much rather spend my money for "colored trash" than "white trash."1 The disparate reactions of myrtle hartgrove and jane white to the firstissue of Tan Confessions indicate that the sexuality rendered in this monthly publication's intimate stories was deeply contested ter rain for African American readers. I seek in this essay to analyze more broadly such contestations, drawing on a range of articles, letters, and responses in black popular culture magazines in the period immedi ately following World War II. Through an interrogation of the negoti ations among individuals and within groups, we can see the complex and diverse sexual subjectivities (or potential subjectivities) of African American women as they are articulated, debated, weighed, explored, FeministStudies38, no. 3 (Fall 2012). © 2012 by Feminist Studies, Inc. 625 626 Leisa D. Meyer reconfigured, and at times, rejected. What becomes clear through this material is that while there was an explicit and often direct engage ment with white normative cultural presumptions concerning Afri can American sexuality, there were also alternative racialized sexual subjectivities that were explicitly proposed, discussed, and debated within these pages. Myrtle Hartgrove's comments hold up the "decent" and "self respecting" woman as a bulwark against the "trash"—stories of black women's romantic and sexual encounters — offered in the pages of Tan Confessions. Hartgrove's invocation of respectability guards against the longstanding racist trope of hypersexuality and its concomitant insinuation that African American women are not "respectable."2 Many African American women refuted the racist hypersexual image in order to protect themselves and their daughters from its conse quences and also to assert desire and claim their sexuality and sexual subjectivity. Hartgrove here engages in a "politics of respectability"— historian Evelyn Brooks Higginbotham's oft-cited phrase describing African American women's promotion of restrained behavior, espe cially restrained sexual behavior, as a "strategy of reform" during the early twentieth century. For Higginbotham, this strategy enabled African American women to "define themselves outside the param eters of prevailing racist discourses."3 Historian Paisley Harris on the other hand has critiqued this strategy and its consequences, charac terizing the politics of respectability as having a "gatekeeping func tion" that established a "behavioral entrance fee" for membership in African American communities. While this "entrance fee" offered some challenge to hegemonic cultural views of African Americans, it also constructed and maintained status distinctions within African American communities.4 Subsequent studies of African American women's lives and sex ualities have expanded this understanding of the "gatekeeping func tion" of respectability beyond the particular historical moment that Higginbotham explores. As Michele Mitchell suggests in her essay on African American women's history, it is "important to ponder whether African Americanists who theorize gender and sexuality have fomented new silences." She goes on to note her "lurking suspicions" that "certain subjects are avoided because they have been deemed Leisa D. Meyer 627 either dangerous or damaging" and voices her "uneasfe] about the costs attached to this particular quiet."5 Literary scholar Matt Richardson also speaks to the problems of these silences in African American history: The tradition of representing Black people as decent and moral his torical agents has meant the erasure of the broad array of Black sex uality and gendered being in favor of a...