Abstract
In my opinion, in a loud world, in which we live today, silence has the value music used to have traditionally. Which consequences can my beliefs have in my work as a composer? How can I convey as an artist this interchange of the value of music and the value of silence? What can I do as an artist with this value and how can it be represented on the musical graphic score? In this article, I will explain up-to-date about my graphic works “Still Life with Silence” (Still-Leben mit Stille) and analyze some aspects and elements used.Keywords:Silence, Graphic Music, Still Life.
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