Abstract
Whoever deals with graphic arts has to reckon with the rarely considered theoretical analysis and the not very comprehensive scientific treatment of this field. These peculiarities are the result of an attitude that was typical for the early 19th century, but does not correspond to the historical reality. The article discusses in detail the claims and possibilities of prints after another works of art. The graphic arts are represented either as translations of a work of art or as imitations, but not in the same way as the mimesis in painting. In the theoretical literature concerning different graphic techniques great attention was given to the expression of optic and artistic phenomena.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
