Abstract

Trumpet calls are very loud voiced signals given by highly aroused elephants, and appear to be produced by a forceful expulsion of air through the trunk. Beyond their characteristic “brassy quality” previously attributed to shockwave formation, some trumpet calls are also characterized by stepwise fundamental frequency increase and decrease. Here we used spectral analysis to investigate the frequency composition of trumpet calls from one Asian and one African elephant. We found that the frequency interval between the steps were consistent with resonances expected in the exceptionally long elephant vocal tract. Such stepwise regimes are commonly observed in brass instruments as self-sustained oscillations transiently align on the bore’s resonance frequencies during arpeggios. We suggest that this production mechanism may constitute a rare example of source-filter interaction (where the filter properties affect the behavior of the source) in the vocal system of a terrestrial mammal. These preliminary observations also emphasize how the generalization of musical acoustic models can provide useful insight into the production of animal vocal signals.

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