Abstract
This paper explores the dynamics of Guernsey's prehistoric community by discussing how the community materialized the human body as art and how this materialization shaped the local community's vision of society over time. I explore how art technologies – specifically material, technical acts of making stone representations and social networks effected how human bodies were represented by the prehistoric community. The visual and practical engagement with these images and media over time affected how the prehistoric Guernsey community saw their local and continental identities and relationship networks.
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