Abstract
Research Article| September 01 2009 Stealing Center Stage: Female Mountebanks, Pseudoscience, and Nonprofessional Theater Bella Mirabella Bella Mirabella New York University bella.mirabella@nyu.edu Bella Mirabella, associate professor of literature and humanities at the Gallatin School, NYU, specializes in Renaissance studies, with a focus on drama, theatre, performance, and gender. Some of her work includes “Mute Rhetorics: Women, Dance, and the Gaze in Renaissance England” and “‘Quacking Delllahs’: Female Mountebanks in Early Modern England and Italy.” She is currently editing a collection of essays on the social function of accessories in the Renaissance. Search for other works by this author on: This Site Google English Language Notes (2009) 47 (2): 35–47. https://doi.org/10.1215/00138282-47.2.35 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Bella Mirabella; Stealing Center Stage: Female Mountebanks, Pseudoscience, and Nonprofessional Theater. English Language Notes 1 September 2009; 47 (2): 35–47. doi: https://doi.org/10.1215/00138282-47.2.35 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsEnglish Language Notes Search Advanced Search The text of this article is only available as a PDF. Copyright © 2009 Regents of the University of Colorado2009 Article PDF first page preview Close Modal Issue Section: Pseudoscience Before Science You do not currently have access to this content.
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