Abstract
In April 2020, artists Robertina Šebjanič, Louise Mackenzie, Karolina Żyniewicz and Isabel Burr Raty were invited by Dalila Honorato to develop research on the theme of “Staying in Touch: post-coronavirus art curating” as part of the collaborative digital art residency Braiding Friction. Working remotely across Slovenia, the UK, Poland, Belgium, Greece, USA and Portugal the group developed a speculative fiction in which art is the virus and art practitioners act as frontline workers. Braiding historical and contemporary art, architectural and bio-art practices, the group developed potential futures for post-pandemic art spaces, resulting in a fictional account of a series of art exhibitions that coincide with a pandemic event. The research was synthesised in the form of a pseudo-documentary premiered by the Creative Europe project BioFriction on 23rd July 2020. This article presents the transcript of the pseudo-documentary “Staying in Touch” (Honorato, Mackenzie, Żyniewicz, Burr Raty, Šebjanič and Tavares 2020, 00:00:00 to 00:47:55), set in 2039: an ergodic narrative constructed as a self-ethnographic role-playing exercise by its contributors, where alter-egos Vess L, Arri Val, K-130, Soladite Carnelian and Anise Neuchâtel reflect on their curatorial practices before, during and after the pandemic. Whilst the narrative draws from many academic and contemporary influences, any references to historical events, real people or real locales are used fictitiously. Other names, characters, places or incidents are the product of the authors’ imagination, and any resemblance to actual events or locales or persons, living or dead, is entirely coincidental. “Staying in Touch” was edited by Pavel Tavares with the support of Cultivamos Cultura and included cameo appearances by artists Marta de Menezes, Yann Marussich and Adam Zaretsky. At its core, this work is a case study of artistic research and the possibilities of interactive engagement during the COVID-19 lockdown.
Highlights
No other art piece exhibited in the 21st century has caused so much controversy as Blue Tree, curated by the team at the Museum of Modern Art
This artwork is an integral part of the Staying in Touch exhibition celebrating twenty years after the high-security profile of the latest Staying in Touch II in 2029
One year after the vaccine, and with its final opening scheduled for 2049, the three parts of the exhibition clearly seem to mark different stages of art shows’ regulations related with public health. Both the curatorial team and their mythical Blue Tree have been connected with the origin of the 2019 pandemic
Summary
Isabel Burr Raty Artist and filmmaker Dalila Honorato Ionian University, Greece Louise Mackenzie Independent artist Robertina Šebjanič Independent artist Karolina Żyniewicz University of Warsaw. Date of submission: October 2020 Accepted in: December 2020 Published in: January 2021
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