Abstract

Music perception depends on internal psychological models derived through exposure to a musical culture. It is hypothesized that this musical enculturation depends on two cognitive processes: (1) statistical learning, in which listeners acquire internal cognitive models of statistical regularities present in the music to which they are exposed; and (2) probabilistic prediction based on these learned models that enables listeners to organize and process their mental representations of music. To corroborate these hypotheses, I review research that uses a computational model of probabilistic prediction based on statistical learning (the information dynamics of music (IDyOM) model) to simulate data from empirical studies of human listeners. The results show that a broad range of psychological processes involved in music perception—expectation, emotion, memory, similarity, segmentation, and meter—can be understood in terms of a single, underlying process of probabilistic prediction using learned statistical models. Furthermore, IDyOM simulations of listeners from different musical cultures demonstrate that statistical learning can plausibly predict causal effects of differential cultural exposure to musical styles, providing a quantitative model of cultural distance. Understanding the neural basis of musical enculturation will benefit from close coordination between empirical neuroimaging and computational modeling of underlying mechanisms, as outlined here.

Highlights

  • Musical styles consist of cultural constraints on the compositional choices made by composers, which can be distinguished both from constraints reflecting universal laws and specific within-culture, non-style-defining compositional strategies employed by particular composers in particular circumstances.[1]

  • The purpose of this paper is to elaborate Meyer’s proposals by putting forward a computational model that is capable of learning the probabilistic structure of musical styles, examining whether the model successfully simulates the perception of mature, enculturated listeners across a broad range of cognitive processes and, whether the model simulates enculturation in musical styles

  • The Statistical Learning Hypothesis (SLH) states that musical enculturation is a process of implicit statistical learning in which listeners progressively acquire internal models of the statistical and structural regularities present in the musical styles to which they are exposed, over short and long timescales

Read more

Summary

Introduction

Musical styles consist of cultural constraints on the compositional choices made by composers, which can be distinguished both from constraints reflecting universal laws (of nature and human perception or production of sound) and specific within-culture, non-style-defining compositional strategies employed by particular (groups of) composers in particular circumstances.[1] As recognised by Leonard Meyer in his early writing,[2] these constraints can be viewed as complex, probabilistic grammars defining the syntax of a musical style[3,4] which are acquired as internal cognitive models of the style by composers, performers and listeners. I will demonstrate how the same model can be used to simulate enculturation and generate predictions about individual differences in perception resulting from enculturation in different musical styles

Statistical learning and predictive processing
Probabilistic Prediction in Music Cognition
Expectation and Uncertainty
Emotional experience
Recognition Memory
Perceptual Similarity
Phrase-boundary Perception
Metrical Inference
Findings
Statistical Learning in Musical Enculturation
Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call