Abstract
The paper makes a quantitative analysis and comparison on the continuous speech emotion of Lhasa Tibetan in the four basic emotional patterns (happy, surprise, sad, neutral) pitch, energy and time length by experimental phonetics and the linear statistical research methods, found that there is a positive correlation between the Lhasa Tibetan emotional speech and pitch, energy and duration, etc. And the pitch, energy and duration of negative emotion acoustic parameters are bigger than positive emotion, on this basis, drawing the Lhasa Tibetan speech emotion acoustic feature patterns. Compared with the Chinese language and the Tibetan, even though both have the tone prosodic features, they also have significant differences in the acoustic characteristics of the speech emotion.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.