Abstract
Kelmscott Manor on the banks of the Upper Thames in Oxfordshire is a place of pilgrimage for social historians and conversationalists as well as those who simply want to turn the clock back to a rural England long departed. The manor was leased to William Morris in 1871 to be his family home until long after his death in 1896—their escape from the hectic daily life in London. At that point, Morris spent the previous 10 years building up the crafts business for which he is best known, the patterned textiles and wallpaper designs and the basic wooden furniture we associate with the Arts and Crafts Movement. It can be difficult to remember that much of the respected craftwork was generated in the East End of London by gifted craftsmen.
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