Abstract
AbstractMagic has served as a source of fascination for early modern scholars throughout the 20th and 21st centuries. While critics continue to debate magic's relationship to religion and science, in recent years the focus has turned to knowledge‐making and how magic contributed to a diverse range of discourses during the 16th and 17th centuries. This article first explores some of the significant historical debates on early modern magic before turning to more recent work in literary studies of the Renaissance. While focusing on early modern England and the stage, the article also highlights newer directions for the study of magic that might enfold global contexts and critical methodologies.
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