Abstract
The linguistic and stylistic personalities of Stanislav Liudkevych's solo songs are studied on the verses of the modernist poet Oleksandr Oles "Go, escape", "Secret", "Serve the news" and others. A comprehensive analysis of Liudkevych’s solo songs demonstrated the close connection between musical and poetic text and the renewal of means of expression: overcoming tonal functionality, manifestations of extended tonality, complication of harmonic language, music mood key variability, fricative mutations. We claim that post-romantic and symbolist tendencies were clearly manifested in S. Lшudkevych's solo songs of the 1920s and 1930s.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
