Stanisław Brzozowski’s performative criticism

Abstract

Stanislaw Brzozowski was active as philosopher and literary critic for only a few years at the turn of the twentieth century, yet his writings are still inspire contemporary thinkers and critics. In every important phase of the development of Polish literary criticism, Polish intellectuals have acknowledged Brzozowski as a writer who had the courage and critical acumen to confront modernity and examine closely contemporary trends of thought from the perspective of social and individual life. This continued presence of the celebrated critic cannot but be interesting for the researcher who is led to ask, what is so intriguing in Brzozowski’s work, why do successive generations of critics and intellectuals return to Brzozowski? Drawing on many important interpretations of Brzozowski’s work (Burek, Glowinski, Nycz), I want to show that in Brzozowski’s work it is possible to find everything contemporary criticism and thought needs, because his books contain, in nuce, projects and strategies which can be (and are) used in different ways by critics representing different ideologies and worldviews. Brzozowski worked out, or rather attempted to work out, ideas which are a source of modern critical projects but in addition his work comprises a repertoire of possibilities which contemporary critical thought can turn to its advantage. Brzozowski’s work can be also treated as a performative act, calling forth the reader’s response, in this way shedding new light on it. I also show that “performative consciousness” is both close to Brzozowski’s practice of writing and deeply rooted in his philosophical conviction. Brzozowski can be considered a representative of modernist, critical literature, in which reading and writing become a mode of experience, a privileged social discourse, and a “leaven,” an act and an activity.