Abstract
The resistance to the Holocaust from Catholic and Protestant clergymen came in myriad forms. A few clergy willingly gave up their lives, thus becoming martyrs for refusing to be judged by Nazi law, surrendering instead to divine justice. Such noble and heroic decisions in which a humble person surrenders life in defiance of a totalitarian regime opposed to Christian humanism is a subject most worthy of study. This essay focuses exclusively on stage representations of the extreme sacrifices the clergy made during the Holocaust as reflected by martyrdom in Arthur Giron’s Edith Stein and David Gooderson’s Kolbe’s Gift. The protagonists of these two plays, Edith Stein and Maximilian Kolbe, died and suffered greatly to uphold the moral position of the Church.
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