Year-end Sale % OFF 
Abstract
While there is already a solid body of work on the lived dimensions of citizenship, little is known about whether artistic performance in popular culture and the arts can constitute a site for staging and contesting citizenship. In this article, I argue that the literatures on voice and citizenship need to pay more attention to what performance studies approaches can offer to the study and understanding of practices of citizenship, and suggest that an expanded notion of voice as an act of self-expression, which is not purely discursive, is needed for understanding citizenship as embodied and expressive practice. By combining interview data with textual analysis, I employ performance tools and concepts from performance studies to analyse how citizenship is staged and contested in the documentary film Wait and the performance Welcome to Dreamland.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
