Abstract
ABSTRACT In 2022, I adapted for the stage Franz Kafka’s 1914 short story “In the Penal Colony” and intertextualized the text with devised narratives about the body in pain. I theorize both the staged performance and this reflexive essay as a method of embodied intertextual resistance within literary performance practice to unearth the relationships between performance and writing, body and machine, and the page and the stage. I highlight three moments of intertextual vignettes within the production to highlight the role of literary performance in healing both ourselves and the world around us.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
