Abstract
On his most recent album, Wrecking Ball, Bruce Springsteen crafted a powerful statement of support for the working class, the existence of which barely penetrates contemporary art or politics. This is not an accident: the growing power of capital over public discourse has provided it a forceful means through which to shape individual consciousness, and establish an apolitical and at most technocratic understanding of power.… Even in the cultural realm, the art and voices of the working class are sidelined and squelched. Working people thus become invisible.This article can also be found at the Monthly Review website, where most recent articles are published in full.Click here to purchase a PDF version of this article at the Monthly Review website.
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