Abstract
The text is an analysis of Agnieszka Brzeżańska's photographs from the How To Shine In Public series, created in Tokyo in 1997–2001 in the context of the gaze theory as an objet petit presented by Jacques Lacan in Seminar XI of 1964 and the feminist deconstruction of psychoanalysis. I refer to the practice of écriture féminine as conceived by Hélène Cixous and its reformulation within the parler femme concept by Luce Irigaray. Both Lacan's theory and its feminist reformulation serve to rewrite the visual field of photo-graphics and the photographic series by Brzeżańska. I see in it the potential for the gaze to manifest itself as objet petit a, however, intercepted by the female subject, who is both the sender and the addressee of the visual expression.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.