Abstract
This article examines timelessness as a strategy of textual survival employed in the art of Felix Gonzalez-Torres in the wake of the exhibition of his work at the 2007 Venice Biennale. At the Biennale, an erosion of the awareness that this timelessness stems from a split witnessing position led to effects of haunting, in which the artist's intentionality was problematically depicted as literally continuing beyond his death.
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