Abstract
Spiritual chants for the female choir a cappella by IrynaAleksiichuk: features of the interpretation of canonical text
Highlights
The choral creativity of a modern Ukrainian composer Iryna Aleksiichuk is multifaceted and diverse
The material of the analysis are four chants (“The King of Heaven”, “Glory to the Father, and the Son, and the Holy Spirit”, “My voice to the Lord”, “Holy, holy, Lord of Sabaoth”), which are united in the cycle “Spiritual chants for female choir a cappella”
It is concluded that all chants expressly convey the meaning and the features of the canonical text
Summary
The choral creativity of a modern Ukrainian composer Iryna Aleksiichuk is multifaceted and diverse. It includes spiritual chants, cycles of arrangements of Ukrainian and Balkan folk songs, choral works on poetry of Ukrainian and foreign poets Stepanenko, “How Volodya flew quickly from the mountain” on the words by D. The objective of this study is to find out the features of interpretation the canonical text in spiritual chants for a female choir a cappella by I.
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