Abstract

This paper deals with the emergence and meaning of the term spiritual in modern, postmodern, and contemporary art with a particular focus on its transdisciplinary and transcultural aspects. The problem develops because of the hitherto neglected involvement of the spiritual in the development and expansion of the modernity program in recent European art history, with a particular focus on recent research redirected from traditional positions of national context to the transformation of visual language and transcultural character of some movements in modern art. This work covers the meaning and development of transdisciplinary spiritual art, the non-national character of its production, and the internationalization of its practice, focusing on the link with the reduction, abstraction, and tendencies of media dematerialization. It concludes with a review of innovative aspects of spiritual art and its apolitical character in times of intense social change.

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