Abstract

ABSTRACTAs they soar into the air and dive below the water's surface, birds inspire awe for their superhuman capacity to pass among earth, air, and water. People often see birds as spirits, or as messengers to and from the spirit world. Whereas at earlier sites in the region birds made a significant contribution to human diet, at Neolithic Çatalhöyük in Central Anatolia their nutritional significance is small. Body part distributions suggest that for the most part feathers were more important than meat. Bird remains, mainly the feathery parts of wings, appear in a number of special deposits at Çatalhöyük. Together with artistic representations, these deposits suggest that cranes and vultures played key roles in life cycle transitions and were invoked mimetically through dance. Additionally, waterbirds, particularly in association with newborn human infants, may have mediated between human and spirit worlds. Although there is little indication that Çatalhöyük residents made much use of brightly coloured feathers, bird wing deposits do attest to the importance of colour symbolism at the site. Thus bird remains offer material evidence of aspects of Neolithic cosmology and ontology, as well as social structure.

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